“BLACK AND WHITE”
ANNOUNCING THE WINNERS
We’re delighted to present the results of our September 2026 competition judged by Andrea Modica, celebrated portrait photographer and Guggenheim Fellow.
“To practice any art… is a way to make your soul grow.” – Kurt Vonnegut
Undoubtedly, black and white photography is something one practices with intention and determination. The artist steps away from the world of color and focuses on geometry, shapes, and shades of gray. They see meaning in contrast and texture. They touch the light and the darkness with their fingers. Photographers choose this aesthetic deliberately because it adds something to the story. A black and white palette is the secret ingredient and may be a tool, a subject, a mood, a feeling, a timeline, a means of expression. It may be anything the photographer wants it to be. It’s such a magnificent world of opportunity!
But there is a catch. Black and white photography provides an endless field for creativity only when you pour your heart and soul into it. Only when you recognize its power and obey its rules does it allow you to see the magic less alone to capture it. It requires complete openness, a humble surrender of the ego, and a wild imagination – the kind that believes that everything is possible even when it challenges our human sine qua non. You’ll see all these attributes in the selection made by Andrea Modica, the judge of our current Black & White competition. “It was terrific spending time with all the work,” she said, “to review so many images with complex meanings, beauty and expert use of form, composition and light”.
You’ll be amazed by the scale and range of this aesthetic, which can take on any challenge, from documentary photography to fine-art photography and every other genre in between. Regardless of the subject matter, technique, and style of composition, all selected images share a pure love for light. To take black and white photographs truly is practicing the art of painting with light.
Congratulations to the selected photographers, and thank you to everyone who submitted. You can join the discussion on Facebook and Instagram.

1ST PRIZE: BART RUBIK
This photograph conveys complex, shifting meanings through the beauty of its form and composition, inviting viewers to look beyond the image itself. Highly expressive and masterfully composed, it captures a moment that invites curiosity and leaves us wanting to know more about the event. – ANDREA MODICA
What better choice of aesthetic to capture a collective grieving moment, a long tradition that reiterates the grief of a mother for the loss of her son? To sustain and enhance the power of the aesthetic, the photographer has filled the frame with dark shades, allowing just a few patches of light to highlight the humanity of the procession. The frame is overwhelming, heavy, and meaningful, just like the performance it captures. – LIFE FRAMER
Photographer statement – La Desolata: Voices of grief. In the Italian city of Canosa di Puglia, the Desolata procession transforms the streets into a landscape of mourning. Led by Maestro Ezio Masotina, hundreds of black-veiled women chant the Stabat Mater, a medieval hymn of sorrows, turning a centuries-old Holy Saturday tradition into a visceral, collective expression of the Virgin Mary’s grief.

2ND PRIZE: WAI HONG LO
This photograph evokes multiple layers of meaning through its composition and use of light, inviting viewers to form their own interpretations. The description of the place is both seductive and well framed; the wheel embodies a compelling tension between beauty and fear. – ANDREA MODICA
Industrial, bare, and silent, the landscape wears its monochrome outfit with grace. The aesthetic underlines the unfinished aspect, the expectation of a colored future, and the overtaking of the natural environment. The composition is immediate but includes leading lines and details that keep the viewer longer, like any good documentary photo should. – LIFE FRAMER
Photographer statement – Before The Turn, Central Harbourfront, 2014. The Hong Kong Observation Wheel rises unfinished above a landscape of cranes, barricades and broken ground. In the foreground, a lone worker watches as the city builds its new landmark against the backdrop of Victoria Harbour. A record of the moment of a city in transition.

LÁSZLÓ TÓTH
The black and white aesthetic fits fine-art photography like a glove. It enhances the metaphor, produces an abstract look, and helps create an atmosphere. This image takes the viewer where it wants to, leaving no room for second guesses. It’s intentional and luring, artful and demanding, graphical and smooth. It’s impossible to look away. – LIFE FRAMER
Photographer statement – Spiral to the Tower.

MICHAEL KNAPSTEIN
It’s a simple composition with few visual elements, magnificently realized. The clarity and dynamic range are impressive and produce a very appealing contrast of textures. Elements complement each other harmoniously. One can hear the hay’s soft rustle and feel the urge to touch it. The shooting angle emphasizes a way of life rather than an aleatory moment, the sky in the background providing a universal character. – LIFE FRAMER
Photographer statement – Hay Bale. From a series capturing the true essence of the American Midwest.

GAVIN LIBOTTE
The image highlights the photographer’s exquisite ability to notice the unnoticeable, the beauty of the little things, the fleeting moments that can carry so much meaning. This is the decisive moment when shadows come to play, when darkness fills the space with meaning, when fragmented shapes capture our attention. We are extremely lucky to witness this scene. – LIFE FRAMER

ALBERTO MINACAPELLI
The photographer devoids the scene of color as a means to showcase our shared humanity. In this photograph, the aesthetic connects, builds bridges between cultures and reminds us of the many things we have in common. The composition is simple and immediate, a documentary style that suits the subject and lets it be as it is, without any judgment. – LIFE FRAMER
Photographer statement – Everyday life. In the lush rainforest of Colombia’s Sierra Nevada de Santa Marta, members of the Kogi community gather around a natural pool to bathe and wash clothes. An ordinary moment of everyday life, deeply connected to the surrounding landscape, where water is both a shared resource and an integral part of the community’s daily rhythm.

MAARTEN SLOCK
With a broad dynamic range and an excellent composition, the photograph connects the human feeling to the space around it. It emphasizes the role of architecture as a reflection of and a catalyst for our emotions. The vertical perspective, the intersections of light and shadows, and the natural manner in which the architecture frames the character highlight the photographer’s attention to detail and ability to see the bones of a scene rather than just its exterior. – LIFE FRAMER
Photographer statement – Grundtvig’s Church (Grundtvigs Kirke), Copenhagen, Denmark.

VALERIO LEONE
It’s a pleasure to look at this composition and imagine the landscape, the people’s pace, and their mindset. Everything falls into place beautifully thanks to the imperfect symmetry and unusual contrast. In black and white, the photograph belongs to no place in particular and has no cultural identity, both aspects that make it appealing to a large audience. – LIFE FRAMER
Photographer statement – A group of tourists is walking on top of a dune. The photo was taken in the morning, but the sun was already high in the sky, at Deadvlei, a part of the Namib Desert near Sossusvlei in Namibia. I liked the long shadows cast by the people and the distance between them.

CHLOE KRITHARAS DEVIENNE
A powerful portrait that puts humanity first, the photograph is emotional. Composition and aesthetics work together to convey the scene’s narrative. Closeness, a confined space, a disempowering camera angle that eliminates borders, and two hopeful gazes are the elements that stick with you. The image’s softness speaks volumes about the photographer’s artistic voice. – LIFE FRAMER
Photographer statement – This image is from a long-term project on the refugee crisis, which I worked on over four years in Greece. Most of the images are portraits captured throughout the refugees’ journey–starting from their arrival on the Greek islands, then Athens ,through their passage to the Macedonian border, and during their stay in various camps where I volunteered. I tried mostly to capture peaceful moments, approaching each person with respect and intentionally avoided photographing vulnerable moments where they were exposed, choosing instead to focus on their resilience and optimism, even in the most difficult and hard circumstances.

PHILIP MYERS
The viewer becomes the viewed in this extreme black and white image. Like a chessboard, the graphic background makes the character stand out whilst providing structure and direction. Contrast is the main focal point, and what a catchy one it is. Creative, nonconformist, playful, and profound at the same time, the image plays with your imagination to encourage you to challenge your perspective. – LIFE FRAMER
Photographer statement – The Audience.

MACIEJ KAROŃ
An unusual shooting angle, a daring aesthetic, and a lovely subject matter come together to create a memorable photograph. The composition is minimalist, and the message is straightforward. Emerging from the darkness, the children grow towards the light. The subliminal metaphor is extremely powerful. – LIFE FRAMER
Photographer statement – A family of swans.

BEAU BEARD
A picturesque scene becomes dramatic in black and white, conveying more than one meaning. The foreground is playful and sweet; the background is menacing. Part of the image is about catching the present moment; part of it is about a future that may not be so delightful. By choosing the black and white aesthetic, the photographer has created an impactful image that keeps the viewer engaged. – LIFE FRAMER
Photographer statement – My daughter, hiding in the Cahaba Lillies in the Cahaba River. These only bloom once per year. A true moment in time, that will become more and more rare as this watershed becomes a remnant of it’s past beauty and prowess.

KIM JIHOON
The photograph has an incredible dynamic range and highlights the photographer’s art of mastering highlights and shadows. By choosing to shoot in black and white, the photographer made light the main subject, and what a magnificent subject it is! The composition conveys not only warmth and joy, but also the blend of natural and human-made, the scale of everything, and the harmony that should (and sometimes does) shine through. An impressive shot from all points of view. – LIFE FRAMER
Photographer statement – Beach Fun Beneath the Sunset. Against the backdrop of a sprawling urban beach, the silhouettes of two children appear utterly joyful. Wrapped in a breathtaking sunset, the day comes to an end.

YITAO WANG
This is a mesmerizing shot, a puzzle that requires deciphering, a graphic novel that’s both yours and the photographer’s. The black background creates a timeline and makes the subjects stand out. At the same time, it plays with geometry and textures, leading lines and silhouettes in a perfectly straight yet very ambiguous manner. – LIFE FRAMER
Photographer statement – Beijing, China.

MIRIAM NEAL
Resembling lomography, the photograph has a certain dose of experimental, haste, and movement that, against reason, makes it a very appealing shot. It’s the crowding of elements that tells the story, the mix of blur and clarity that underlines growth, the overlapping of textures that emphasizes personalities. One can’t settle on an element, just like life never stops for no one. – LIFE FRAMER
Photographer statement – From the series Where I’m Raising Them, documenting four siblings.

STEFAN GROEPPER
Fine art portraiture in black and white can be epic or lyrical, and can capture actions or emanate feelings. This photograph acts as an inspiration, creating space for inner thought and meditation. Ultimately, it’s not about the ones in front of the camera but about the viewers. Carefully constructed, with beautiful contrast, lighting, and textures, the composition is artistic and alluring. Once the beauty catches you, you are given stillness and silence as tools for exploring your inner universe. – LIFE FRAMER
Photographer statement – A Quiet State is a body of work rooted in presence rather than narration. The images do not describe – they remain. Bodies, landscapes, and fragments appear with equal weight, emerging as states of being rather than symbolic readings. Nothing seeks attention. Nothing performs. The figures are turned inward, often withholding their gaze. Movement is reduced to posture, balance, and breath. Even when the body is exposed, it is not revealed. Strength exists without display, intimacy without invitation. Silence gathers density here, forming a space in which form, light, and stillness converge.
This series focuses on what endures when gesture falls away. It invites the viewer to slow down and remain, allowing perception to replace interpretation.

MAHESH BALASUBRAMANIAN
Silhouettes, the ultimate black and white expression, require not only imagination and good technique, but also a fresh perspective, a unique angle, and a story. This image delivers all of these and more. It is gracious and dynamic, aesthetically appealing and informative. It checks the documentary purpose of photography without dismissing its role as a visual art. – LIFE FRAMER
Photographer statement – Fishing at first light, Chennai, India, 2013.

LELAND BOBBE
The photograph underlines the huge creative potential of black and white photography. A recognizable shape can build a completely different narrative because, in black and white, it plays with our imagination and breaks the norms. The composition is far from regular, the focal point is far from expectation; the perspective is one of a kind. Despite all this, the viewer will remember the photograph and will have a story to tell about it. – LIFE FRAMER
Photographer statement – Black Swan.

ROSETTA BONATTI
So simple, yet cinematic and moving! The picture is atemporal and universal, highlighting the amazing energy of black and white photography. A few lines and shapes can create harmony, a well-balanced composition, and a story each of us interprets differently. The image is deep, and layered, inviting the viewer on a journey of discovery of people and of their own paths. – LIFE FRAMER
Photographer statement – Humanity Between the Lines.

ASAKO NARUTO
What we see is not reality, but the interpretation our minds give to reality. This is an endless playground for black and white photography, beautifully showcased by this shot. It’s not so much about what the photographer wanted to say, but about what the viewer chooses to see. The game of light and darkness, shadows, shapes, and lines is fascinating. Where this absurd scene can take us is only a matter of imagination. – LIFE FRAMER
Photographer statement – “They ,by Them. A talking shadow, shifting through subtle metamorphoses. An incomplete presence, suspended between existence and absence. The “someone” we perceive is a phantom formed at the intersection of movement and light.