Beauty as a Crude and Universal Brand


“I don’t know exactly when the idea seeded itself: perhaps it began one day when I looked in the mirror and realised I would not live for ever”.

Zed Nelson is the perfect judge for our theme ‘Humans of the World’, by his own admission spending a career “trying to make sense of what makes us human”. He’s traveled to the farthest-flung corners of the world photography Brazilian boxers, the modern-day Ku Klux Klan, Welsh miners, the French foreign legion and the new nation of South Sudan to name a few, but has never found a place that has fully escaped his own Western culture.

His ambitious project and photobook ‘Love Me’, is perhaps his attempt to confront that Western culture head-on. For a period of 5 years, and across 17 countries, Zed explored the notion of beauty, and how far people will go in their quest for physical perfection. His exploration not only shines a light on the commodification of beauty (it is estimated that American families with incomes under $25,000 now account for 30% of all cosmetic surgery procedures) but its homogenisation. There exists an increasingly narrow palette of what beauty is – youthful, Caucasian, blonde, skinny – and almost everything else is erased from the pages of our magazines and from our billboards and televisions.

Across the series, Zed examines surgery addiction, social discrimination, eating disorders, beauty pageants and bodybuilding, all with a masterful, unflinching eye. He paints a damning picture of our obsession with the superficial and presents a sad, torturous reality. As we continue to align our sense of self-worth with our self-image, we’ll always strive for something unachievable, always remain unhappy. Everyone’s body after all, will eventually betray them.


Ox and Angela, plastic surgeon and wife. Rio, Brazil.


Ms. Olympia competition. Las Vegas, USA.