Finding the Extraordinary in the Everyday


An interview with Polly Tootal

Every year we run a Series Award through which we celebrate series of work from emerging photographers. The winner receives a solo exhibition and this year we’re collaborating with Galerie Intervalle in Paris – a global hub for photographic practice, hosting exhibitions, talks and events, as well as representing 10 of the most exciting emerging artists in the photographic sphere. The Series Award is open to all Life Framer Members.

In the lead up to the deadline for this year’s award (31 August 2019) we’re sharing a number of articles that explore the work of Galerie Intervalle’s represented artists…

Polly Tootal: Unknown Places | Exhibition at Galerie Intervalle, 9 January — 19 March 2016

Polly Tootal’s work considers the way in which abandoned industry mixes with functioning architecture and development, spaces left awaiting completion or areas of recent renewal. The Modern British landscape is represented as rich with human activity, yet bereft of human presence. Obscured by a lack of context, yet strangely familiar, Tootal’s subjects are presented in such a way to highlight their eccentricities, focusing our gaze on the peculiar of their architecture and terrain.

Here we ask Polly about her approach and the atmospheres she seeks to create…

Why did you choose to go with a large format camera? What about it appeals to you?

I really love the work of the New Topographic photographers of American and Germany, people like the Bechers, Lewis Baltz and Stephen Shore, they all used 5×4 and 8×10 view cameras and I wanted to discover this process in my own work. I studied editorial photography at the University of Brighton, my tutor was Magnum photographer Mark Power, he is a social documentary landscape and portrait photographer who shoots large scale photographs, and his work influenced me. I adopted a similar way of working at the time and continued to photograph in this way. The slow, considered process and image quality of large forma