EDITORS’ PICK

Seeing with New Eyes

OPEN CALL

Open Call Editors’ Pick

“The real voyage of discovery consists not in seeking new lands but seeing with new eyes.” – Marcel Proust

Following Brian Paul Clamp’s selection of winning images for our ‘OPEN CALL’ theme, this compilation of 20 images, selected by the Life Framer editors represents some of the other talented photographers whose work struck us and left a mark. Some are more literal representations of the theme, and others are more abstract, but each one is a stunning image worthy of exposure and attention.

These are intended to be a conversation starter… so feel free to join the discussion on our social networks.

Banner image and text courtesy of Ellen Jantzen from her series Unexpected Geology.

“In this series I am exploring the realm of one’s environmental surroundings, how that is absorbed into one’s psyche and how this changes through relocations. My move from the relatively flat Midwest (my place of birth) to the mountainous West (New Mexico, specifically) needed some adjustments in my way of working and seeing. Initially I was stymied by this landscape that is so fraught with cliché. But, I soon found myself aspiring to bring my new home into focus, to make it my own.

I stand back and take it all in. I have always been intrigued with mountains, their formation, evolution and beauty. I find the history of geology fascinating, the ebb and flow of minerals, deposits and formations. I am intrigued with how small rocks and stones are, essentially, mountains except for size. They are made of the same materials and minerals. Ratio, proportion, relative size, all plays a part in the magnitude of the structures. There is an aesthetic magic of scale.Lately I have been including petroglyphs found on rock formations bringing the ancient history of rocks and people together.

I approach this work as both a window through which I observe my new surrounds (recording what I see) and a mirror where I bring my sensibilities to bear, reflecting my inner state of being. I use layering and blending modes to merge the observed environment with my internal intuition. At times I digitally place stones in my photographs of mountainous landscapes while obscuring the scale references. Other times I distort and raise the landforms in a digital dance of perception.”

www.ellenjantzen.com and Instagram: @ellenjantzen

Image courtesy of Qingping (Thea) Zang from her series ‘The Shangri-La’.

www.theazangphotography.com and Instagram: @thea_zzzz

Image courtesy of Della Paizi.

Instagram: @dellux

Image courtesy of Maria Kokkinou.